Archive for category: Curated Resources

Reviewed by Ann DiFiore

“To listen to the songs of trees is to know their communities, their network of family of which we and our voices are members”

David Haskell’s most recent book, The Songs of Trees (2017, 252 pp) continues his examination of forests and the interconnectedness of organisms. This book, however, is marked by a feeling of particular urgency as he explores not only the natural history of trees, living and dead, wild and cultivated, but the impact of climate change, deforestation, and political pressures on trees, the populations that depend on them, and the planet as a whole.

Haskell divides his work into three parts. Part I profiles individual trees and their environments, from the rainforest to the boreal forest; part 2 covers living and fossilized trees; and part 3 introduces cultivated, or urbanized, trees, ranging from cottonwoods to bonsai.

By tree songs, Haskell means the music of water, sunlight, insects, rock, machinery, fungi—every living and non-living thing with which trees interact. For example, the rainforest’s Ceiba pentandra tree’s song incorporates the rush and patter of rain flowing from canopy to roots, across the myriad bromeliads, ferns, and philodendrons that make this tree ecosystem a “sky lake.”

Sensors on the trunk of a Bradford pear growing at 86^th and Broadway records the rumbles of the subway beneath its roots and the screech and blare of taxis hurdling down neighboring thoroughfares. A ponderosa pine’s melody combines the whine of windswept needles, the grating of a sapsucker probing for ants, the pop of wood cells thirsty for water, the grinding of beetles under its bark.

For Virginia Master Naturalists Haskell’s book serves as both inspiration and guide to ways in which we can enlighten and engage the public. By helping people interact with trees and experience them—seeing, listening, touching, smelling, tasting– the trees become animate. When we educate the public on their role as living community centers, we communicate their value and the interconnectedness of all lives.

As in The Forest Unseen, Haskell provides fascinating insights into the ecology and evolution of the forest. In this book, human attitudes and ethics vis a vis their environment play prominent and compelling roles. To the Waori people of Ecuador, ”the Ceiba is the tree of life in their creation story “ (p. 16). They view the forest as a whole organism, made up of living things, “spirits and dreams:” that can only exist cooperatively (p. 18).

While Haskell believes that few Westerners can match the Waori’s connectedness to their environment, he implores humankind to try harder to interact, learn, and care for the trees and ecosystems vital to our survival. The abandonment of centuries-old olive groves on the West Bank epitomizes the upheaval and loss that occurs when populations are uprooted, due to environmental or political change.  A loss, he laments, of both their knowledge and identification with the land. While he addresses the exploitation of both rainforests and boreal forest, which he describes as our last and greatest terrestrial carbon store, Haskell looks for signs of redemption among the devastation. The fossilized redwood in Florissant Fossil Beds National Monument that mesmerizes a young girl and her family is a promise of engagement. Street trees in New York championed by the people who value their shade and flowers give him hope.

Like the Yamaki Japanese white pine, a bonsai tended by the Yamaki family for four hundred years and gifted to the US National Arboretum by the government of Japan, trees are “living strands of relationship.” The tree survived the bombing of Hiroshima and is now a symbol of friendship between the two nations. While carefully cultivated and often non-native, bonsai’s miniaturized forms let viewers access trees in a way that is more personal, more intimate.  “Trees are masters of integration, connecting their cells into the soil, the sky, and thousands of other species.“(p. 153).  Haskell’s book will strengthen FMNs’ resolve to help  their communities renew those strands of relationship.

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Reviewed by Ann DiFiore

A square meter of Tennessee forest can give us insights into all forests.

This is the premise of The Forest Unseen: A Year’s Watch in Nature (2012, 288 pp). Haskell, Professor of Biology at Sewanee, the University of the South, visits a corner of old growth forest every few days over the course of a year to record his observations. Inspired by the intricate sand paintings, or mandalas, created by Tibetan monks to represent the cosmos, Haskell lays down a hula hoop to mark the boundaries of his mandala. Armed with a hand lens, he uncovers within this microcosm stories of creation, evolution, adaptation, life unexplored, and man’s relationship to the natural world.

For Master Naturalists, this book deserves a place of honor on our bookshelves, alongside A Sand County Almanac and other classics of ecology/natural science. Through Haskell’s penetrating lens, readers are able to see and appreciate the often unseen organisms that populate the forest’s soil and upper layers. He then switches to a wide-angle lens, educating the reader on larger ecological issues and emphasizing always the interconnectedness of life on our planet.

In his January 1 entry, “Partnerships,” Haskell discusses the amazingly successful union of fungi and algae—the “world-conquering” lichens and the first living thing he encounters in the mandala. Lichens cover 10% of the earth’s surface. How symbiotic relationships push evolution forward–microbes living in digestive tracts, the interdependence of fungi and plants—is a recurring theme in the book.Humans, he notes wryly, “… are lichens on a grand scale” (p. 5).

A sense of humor infuses his writing. In “Faces,” he reluctantly confesses to finding a trio of young raccoons adorable (naturalists aren’t supposed to make such judgments)—and then analyzes human responses to animals. In “Earthstar” he debates removing golf balls from the mandala and decides to allow geological forces to return them to their elements, reminding us that humans are part of nature and “our biggest failing is a lack of compassion for the world, including ourselves” (p. 158).

Haskell’s sense of wonder at nature’s ingenuity and variety is evident in each entry. The firefly’s incandescence, the turkey vulture’s ability to destroy anthrax bacteria and cholera viruses through digestion, the snail’s reproductive strategies—fascinate him, and his enthusiasm is infectious.

Haskell takes the scientific community to task for its alarm cry that the recent rise in deer population is ruining our forests. He argues that historical and archaeological records point to deer being plentiful inhabitants until the 1800s, when they had been extirpated. “The deerless forests of the early and mid-1900s were aberrations” (p. 31). For 50 million years, large mammalian browsers—wood bison, oxen, tapirs, peccaries, herbivorous bears, and mastodons—feasted on forests until they were hunted into extinction. Only the deer remain. In “Flowers,” he credits deer for dispersing wild flowers from their post Ice Age home along the Gulf Coast across the continent, arguing that ants who travel little more than a few feet from their nests would not have been able to accomplish the task so quickly.

The author laments that while science informs and educates us, it does not help us “listen” to nature. In “Epilogue,” Haskell urges us to create our own mandalas for ecological exploration. His advice: To leave behind expectations and to be present—see, listen, smell—and return, over and over again.

“The desire to name, understand, and enjoy the rest of the community of life is part of our humanity. Quiet observation of living mandalas offers one way to rediscover and develop this inheritance” (p. 245).

Want to review a resource? We’d love to hear from you. Instructions for submission await your click and commitment.